Slowly…

Slowly…

It’s amazing how much time one can spend looking after oneself! Doctors, dentists, rest and sleep – geesh – it just flies! Well, I have been working on some pieces and here’s one single clip to prove it. So much drying time in between layers is exasperating, but slowly, it IS coming together. Will post soon.

I always make such a mess when I”m working! No matter how big the table is, I still end up working in a tiny space after I clutter up the table with all my stuff.

Meanwhile, I did manage to submit one piece for the SDA Members Small Works Exhibit 2019. Click on it and you can see for yourself how large an impact 10 inch squares can make! I love working on small works but I have to say I think I spend every bit as much time on a 10 inch square as I do on a 20 inch square!

Another Journey Shared

Another Journey Shared

Hello there!

This comment today lit a fire under me to write today’s post:

AnnIsikArts commented on Doucette_Liminal State.

Liminal State. 31 x 40″ Eco printed, painted, fused, appliqued; calligraphy. Cotton. $1000.

I like this a lot Janis. The doorway – two posts and a lintel. And the poetry running across the top. I read “… uplifted on the rising MIND, instead of WIND”, then thought that MIND worked just as well. This in particular of the series reminded me of the 20th century artist Winifred Nicholson. Her ‘prismatic’ paintings.

Ann recently wrote a post, a great read on Liminal Space as well.

Wow, Ann! Your comment took me on a journey since I was not acquainted with Winifred Nicholson’s work. I found that, indeed, I felt some common bond with her and her work. I think our heads were in just about the same place when she painted  Sandpipers Alnouth, 1933 at the Tate and when I painted the first Liminal Space. https://www.tate.org.uk/art/artworks/nicholson-sandpipers-alnmouth-t05484 and http://winifrednicholson.com/seaandsky.html

I also related to this commentin the above site: “One may also venture to suggest that colour became her beacon because it happily straddled both positions as an intrinsic feature of the real world of objects and also as part of the vernacular of modernism.”   Christopher P Jones  https://medium.com/@chrisjones_32882/the-art-of-winifred-nicholson-a81788429119

          I know I’ve been enthralled with and influenced by 19th century French Impressionists and how they use color but given my small reach and limited market, many simply see my use of color as drab. I’d say that I am also strongly influenced by the American colorfield/expressionist painters of the early 40’s and 50’s. Still, I persist in my own unending/open-ended explorations.

I haven’t widely shown Liminal Space, the first in my series, because I have such mixed feelings about it. From a distance it does capture the essence of my intention but upon closer inspection, I’m not so pleased with my execution. It’s definitely one of those pieces I want to revisit.

Another of Nicholson’s paintings, Ullswater https://winifrednicholson.com/1940s.html reminds me of a piece that I either started in a class with Pam Allen or was inspired by the class (not sure) that sits waiting for me to develop it more, maybe to finish it or may be do a new one inspired by it.

More of Winifred Nicholson’;s paintings that I love:

Honeysuckle and Sweet Peas https://winifrednicholson.com/1940s.html

And this of Daybreak: http://winifrednicholson.com/landscapes.html

Charlotte’s Shells: http://winifrednicholson.com/landscapes.html

Belle Isle: http://winifrednicholson.com/allpaintings.html

Prismatic 5: http://winifrednicholson.com/cumberland.html

I hope you’ve enjoyed this journey with me and now I really must get back to my work at hand! I have quite a few new works in varying stages, but that will be later posts to watch for. Thanks for visiting with me!